The Comet’s vintage correct tremolo effect occurs in the preamp, before the reverb. This 12Ax7-based tremolo circuit allows for wider overall speed range and a deeper effect as compared to our louder models where the tremolo happens in the power tubes, after the reverb.
The power-amp found in the Comet uses a single 6L6 tube with switchable plate voltage to achieve studio and practice friendly 6 Watts or a more robust 14 Watts for stage use. The overdrive that occurs within the Comet’s “single-ended,” Class-A output stage is rich in even-order harmonics and soaked in tube compression. True to the legacy of the original, microphone-friendly Supro combos, the Comet’s exceptional dynamics and ultra-low noise performance make it an ideal recording amp.
The Comet is dressed in 1959 Supro cosmetics, with Black Rhino Hide tolex, black piping, white welting and a gold faceplate. Similar in construction to our award winning Black Magick and Supreme amplifier models, there is no beam blocker in front of the Comet’s custom-made CR10 speaker, facilitating maximum throw and crystal-clear treble response from this compact all-tube masterpiece.
A matching 1700 BD12 loaded, 1x12 extension cabinet can also be hooked up to the Comet, bringing the overall speaker impedance load down to 4-ohms to deliver maximum punch and additional stage volume for gigs. The 1610 Comet, and the entire line of Supro amps is hand-assembled in by Absara Audio in Port Jefferson, NY, USA.
- All-tube Tremolo and Reverb
- 6-Watts or 14-Watts Switchable Power
- Single-Ended “Class-A” Power Amp
- 1 × 10? Custom-voiced Supro CR10 speaker
- EXT speaker jack for matching extension cabinet
- 3x JJ 12AX7 preamp tubes
- 1x JJ 12AT7 preamp tube
- 1x Sovtek 5881/6L6WGC power tube
- 7 5/8? x 7 1/2? x 15 1/2? – 44.7 x 19 x 39.4 cm
- 33.6 lbs – 15.3 kg
- Gold Faceplate
- 1959 Cosmetics with Black Rhino Hide Tolex
- Assembled in NY, USA