Artiklar

Ingen artikel matchade din sökning
Kategorier

Ingen kategori matchade din sökning
varumärken

Inget varumärken matchade din sökning

DPA

Sopran, alt, tenor eller barra spelar ingen roll! DPA 4099 passa till alla saxar och ger ett grymt ljud med brett klangspektra. Dessutom ger den en exceptionell gain-före-rundgång. Lätt att placera på saxen och att därigenom även kunna styra klangfärgen. Finns även till trumpet, gitarr, bas, fiol och cello
189892
The d:screetTM 4060 Omnidirectional Microphone, Hi-Sens offers a very clean, detailed and natural sound quality. Exceptional audio quality.
279752
For years, this has been the chosen headset mic for broadcasters as well as theaters on Broadway and London's West End. This is due to its pristine sound and durability. Available in three colors and three sizes. Resistant to humidity
190079
The classic d:fineTM 4088 Directional Headset Microphone is the industry standard in profes- sional headset mics. Available in three colors and three headband sizes. Resistant to humidity . Adjustable boomlength.
190114
Stor eller liten spelar ingen roll! DPA 4099 passa till alla kontrabasar och ger ett grymt ljud med brett klangspektra. Dessutom ger den en exceptionell gain-före-rundgång. Lätt att placera på instrumentet och att därigenom även kunna styra klangfärgen. Finns även till trumpet, gitarr, fiol och cello
189889
Stålsträng eller nylon spelar ingen roll! DPA 4099 passa till alla gitarrer och ger ett grymt ljud med brett klangspektra. Dessutom ger den en exceptionell gain-före-rundgång. Lätt att placera på instrumentet och att därigenom även kunna styra klangfärgen. Finns även till trumpet, sax, bas, fiol och cello
189891
When recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut has been incorporated in the mic capsule.
279770
The classic d:fineTM 4088 Directional Headset Microphone is the industry standard in profes- sional headset mics. Available in three colors and three headband sizes. Resistant to humidity . Adjustable boomlength.
190125
Timeless transparency:
The versatile DPA 4006A is without doubt the most popular mic in our standard range and has rightly earned its status as a worldwide recording standard.This highly sought after omni has forged its enviable reputation over the past quarter of a century by repeatedly exhibiting its total transparency in any recording situation, and by picking up incredible detail and depth of sound.The definition of its high-frequency characteristics across a wide range of instruments is undeniably impressive for the vast majority of miking applications.

- Renaissance microphone:
With the 4006A, engineers, broadcasters and musicians alike can achieve extremely clean, natural and precise reproduction in a variety of applications.Ideal for A-B stereo pairs for symphonic concert hall recordings, the 4006A also excels on vocals and for close-miking instruments like grand piano, guitar, double bass and percussion.

- Seven tools in one:
A wide selection of acoustic modification accessories, including pressure equalizers, nose cone and interchangeable protection grids, allows the 4006A to be acoustically transformed into seven different microphone versions, making it the most multifaceted mic in your collection and a tremendous value.By simply changing a grid or mounting an element over the capsule, it is possible to gain seven unique frequency responses and directional characteristics from a single mic.Furthermore, these grids and elements will not produce any phase shift, noise or distortion that would otherwise be introduced by an electrical filter.
279368
Redefining value for money:
The new DPA 2006 microphone has strong references to the acclaimed DPA 4006 omni microphone -by its type number 06, its overall sound character, and its industrial design.The difference is in the capsule technology that in the 2000 series features the new Twin Diaphragm Capsule technology.Comparison with its big brother, the iconic 4006, is inevitable. The relationship between the two is clearly heard from the first 2006 audio glance; the 2000 series simply performs like much more exclusive microphones from the premium class and redefines the term value for money.

- Modular upgradability:
2006A is part of the flexible DPA Reference Standard series.The 2006A with the MMP-A preamplifier is the audiophile's choice with low distortion and total accurate and faithful sound, where the 2006C MMP-C compact preamplifier offers a subtle character alteration with a bit more "body" to the low end -in addition to its easier-to-position approach.At any time and with no tools necessary it is possible to transform the basic 2006 microphone into a new configuration by combining it with another DPA microphone capsule or preamp.

- Twin Diaphragm Capsule technology:
The overall distinctive sound image from the DPA miniatures is so well balanced that it meets the high demands of the DPA Reference Standard league.In a 2006 capsule two opposite facing miniature capsules are custom re-built into a double diaphragm, one-capsule composition. This combines the advantages of small capsules (fast impulse response and large frequency bandwidth) with lower inherent noise achieved from a larger diaphragm area.The capsules are loaded to the supreme Reference Standard preamps instead of the tiny miniature FET preamp from the miniature mics, offering even more air and precision.

- Dedicated to acoustic authenticity:
Every engineer and musician concerned with getting the precise acoustic fingerprint on track will be pleased by the true tone delivered by the 2006. Acoustic piano, guitar, wind instruments and choirs are among the most evident applications.As main AB stereo pair the 2006s offer an impeccable combination of two ordinary frequency responses from the 4006 with specially tailored high frequency response that lies perfectly in between the responses from the near-field (silver) grid and the diffuse-field (black) grid.
279359
The d:fineTM 88 In-Ear Broadcast Headset Microphone, Directional are available in a range of variants, colors and boom lengths. Dual-Ear Mount, Single In-Ear. You can keep one ear open to what's happening around you.
279552
For years, this has been the chosen headset mic for broadcasters as well as theaters on Broadway and London's West End. This is due to its pristine sound and durability. Available in three colors and three sizes. Resistant to humidity
190087
It is acoustically pre-equalized, offering a 4dB presence boost. This makes the voice more distinguishable and improves speech intelligibil- ity. Professionals will appreciate the light weight and the excellent speech reproduction.
279411
The classic d:fineTM 4088 Directional Headset Microphone is the industry standard in profes- sional headset mics. Available in three colors and three headband sizes. Resistant to humidity . Adjustable boomlength.
190131
The d:fineTM 66 Headset Microphone combines the legendary sound of the 4066 Omnidirectional Capsule with the lightweight and flexible d:fineTM Headset system. Boomlength 90 mm (medium) or 110 mm (large).
279587
The d:fineTM 66 Headset Microphone combines the legendary sound of the 4066 Omnidirectional Capsule with the lightweight and flexible d:fineTM Headset system. Boomlength 90 mm (medium) or 110 mm (large).
279593
The d:fineTM 88 Directional Headset Microphone combines the legendary sound of the 4088 Direc- tional Capsule with the lightweight and flexible d:fineTM Headset system. Boomlength 100 mm (small) or 120 mm (large - normal).
279546
This microphone is acoustically identical to the d:screetTM 4060 Miniature Omnidirectional Micro- phone, LO-Sens. 144 dB peak before clipping
279762
The DPA 5015A is a complete DPA 4015A surround kit with five carefully factory-matched wide cardioid microphones. Even though the standard tolerances on DPA Reference Standards are extremely low, the surround match is even closer.The specially selected DPA 4015A microphones are matched within ±1 dB on both frequency response and sensitivity from mean of set. The maximum phase response difference is 5°.Recording orchestras or other acoustic ensembles sometimes requires a compromise between blending in the room reverberation and a more precise localization. The natural response and dynamic range make the DPA 4015As an obvious choice for Precise tone quality and wide dynamic range make 5015A right for AB, Decca Tree or surround main arrays like the DPA Wide Cardioid Surround Array.
189897
The d:fineTM 88 In-Ear Broadcast Headset Microphone, Directional are available in a range of variants, colors and boom lengths. Dual-Ear Mount, Single In-Ear. You can keep one ear open to what's happening around you.
279541
The d:fineTM 88 Directional Headset Microphone combines the legendary sound of the 4088 Direc- tional Capsule with the lightweight and flexible d:fineTM Headset system. Boomlength 100 mm (small) or 120 mm (large - normal).
279539
When recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut has been incorporated in the mic capsule.
279769
Plug-and-play solution. Lightweight and portable. Rich, smooth and fully enveloping sound. Discrete 5.1 analog output, no processing needed. The 5100 employs five miniature pressure transducers that exhibit low sensitivity to wind and mechanical noise, low distortion, consistent low frequency response and wide dynamic range. Optimum channel separation and directionality are achieved through a combination of DPA's proprietary DiPMic? (Directional Pressure Microphone) technology, which mounts interference tubes on the L/C/R capsules, and the use of acoustic baffles that further preserve the accuracy of levels between the discrete analogue output channels. The 5.1 output of the 5100 runs through a multi-pin Lemo connector carrying all six channels electronically balanced, while an enclosed five-meter six-pair Mogami cable breaks out to six Neutrik XLR-M connectors. The centre channel can be overridden by an external boom or lavalier microphone attached via a built-in XLR-F connector - particularly useful for interviews and documentaries.
279417
The d:fineTM 88 In-Ear Broadcast Headset Microphone, Directional are available in a range of variants, colors and boom lengths. Dual-Ear Mount, Single In-Ear. You can keep one ear open to what's happening around you.
279540
DPA Microphones has joined forces with Rycote® to develop the DPA 4017 Shotgun/Rycote® Windshield Solution. The strong suspension and windshield solution has been designed specifically to take the DPA 4017B shotgun mic's compact size and light weight into consideration. This kit provides everything an outside broadcaster, journalist or location film maker could need for clear, directional sound, regardless of the weather and environmental conditions.
- DPA 4017B Shotgun premounted in Rycote® Suspension with the Rycote® Windshield
- DPA XLR cable
- DPA Windscreen for 4017B
- Rycote fur windjammer
- Rycote XLR holder
- Rycote brush
279389
For years, this has been the chosen headset mic for broadcasters as well as theaters on Broadway and London's West End. This is due to its pristine sound and durability. Available in three colors and three sizes. Resistant to humidity
190069
Supercardioid polar patternExtraordinarily natural sound and high separation Extreme SPL handling: 160 dBLow handling noise
279526
The d:fineTM 88 In-Ear Broadcast Headset Microphone, Directional are available in a range of variants, colors and boom lengths. Dual-Ear Mount, Single In-Ear. You can keep one ear open to what's happening around you.
279551
1  2  Nästa »  |  Visa alla